I’m still coming to grips with HDR photography. The jury’s out. I don’t know if I like it or not. The surreal, hyper-colours of a lot of HDR photography doesn’t do much for me. My preference is for subtlety, uncertaintly as to whether I am actually viewing a HDR image or not.
However, I do find myself responding in a positive fashion to a lot of black and white HDR that I see on Flickr. There’s something about seeing the tonal range without the distraction of colour to mask it.
That’s convinced me to have a go at it. A bit of a dabble. The first trick I learned was to use the continuous shooting mode of my camera. That minimises movement between shots which can produce a ‘ghostly’ effect on the final image. The second trick is to know how wide to bracket the exposure between shots. I’m guessing that that skill comes with practice. Or maybe I’m just hoping….
I hadn’t wised up to the continuous shooting mode yet, so the image is a little soft. But I was happy with how the HDR image looked in black and white. Enough to try it again using the full version of Photomatix. So here are a few more attempts.
The tonal mapping of the wool bale image was heading in the surreal direction. But it brought out the tones of the wooden floor and wall beautifully. I also liked the texture of the wool bale. There’s something a little ‘painterly’ about this image. In colour I imagine it would look awful, but black and white, once again, rocks my boat!